The Porsche 356 Speedster Martini Racing.. A Porsche lighweight racing icon since 1954. Alex Marzo has atistically re-imagened with his signature art style of sweeping calligraphic lines and reflections. Every single stroke is done from scratch, by hand. His style exudes attention to detail in a surreal art style. As a former designer at Audi Porsche VW Group LA, Alex visually showcases a unique style that blends art, industrial design, composition and class.
LIMITED EDITION 1 of 50!! ONCE ITS SOLD OUT, THATS IT.. Bound to go up in value very quickly
ABOUT THE SPEEDSTER:
erry Porsche saw a market for a small, light two seater roadster and was unable to find a car in the market that matched his preference. He decided to build a car which became the first 356 and the first sportscar to bear the Porsche name. During 1950 Max Hoffman, the sole importer of Porsches in the USA was achieving excellent sales success for the company. He suggested to Ferry Porsche that he could do even better if he had a car that would compete with the imported English sportscars and fit the needs of the American market.He suggested this new model would resemble a small Jaguar XK120 and be available at a more competitive price than the current 356 range. In October 1950 Erwin Komeda drew up plans for the new car and a prototype was produced by Sauter. This was shown to Max Hoffman in 1951 who enthusiastically named it the America Roadster - Porsche designated it the Type 540.
Porsche 356 Speedster Martini (Rear) (ACRYLIC/METAL) - 1 of 50
Premium Fine Art - Acrylic
- 3 mm high gloss framing grade plexiglas (acrylic)
- Epson archival pigment print on metallic paper
- Acid free, optically clear adhesive for face mount
- 3 mm Aluminum (dibond) Backing
- Hanging hardware
- CNC milled (computerized cuts)
- Archival with incredibly longevity
- 60" x 60" max size. Want something bigger? Contact marzo.cs@gmail.com
We face mount an Epson glossy photo print (archival pigment print) to framing grade plexiglas. Because this face mounting technique builds upon an Epson archival pigment print, it retains all the advantages of archival pigment prints and possess a wider color gamut, incredible resolution and high archivability / print permanence. This is then backed with 3 mm aluminum composite (dibond) and a hanging subframe